
In Orhan Pamuk’s The Black Book, the protagonist Galip undertakes a strange journey to find his wife who had mysteriously and inexplicably disappeared from their flat. In keeping with Pamuk’s obsessions, the journey becomes a quest for identity, that of Galip, of Istanbul and of modern Turkey. During his journey, he enters a ‘spider-infested labyrinth of memory’ where the authentic Turkish self is preserved. This labyrinth is an underground museum displaying dusty mannequins rejected by department stores because ‘Turks no longer wanted to be Turks, they wanted to be something else altogether.’